Group

College of Fine Arts

EXPERTS

    • Professor Of Dramatic Literature
    • Drama
    • Professor Of Dramatic LiteratureDrama
    Wendy Arons joined the faculty of the School of Drama at Carnegie Mellon University in 2007. She teaches courses in dramatic literature and dramaturgy, as well as advising undergraduate dramaturgy students in production work. She currently serves as Option Coordinator for Dramaturgy.

    Her research interests include performance and ecology, 18th- and 19th-century theatre history, feminist theatre, and performance and ethnography. She is author of Performance and Femininity in Eighteenth-Century German Woman's Writing: The Impossible Act (Palgrave Macmillan 2006), and co-editor, with Theresa J. May, of Readings in Performance and Ecology (Palgrave Macmillan 2012). She is also co-translator, with Sara Figal, of a new edition of G. E. Lessing’s Hamburg Dramaturgy, edited by Natalya Baldyga, which received the 2018 ATHE/ASTR Award for Excellence in Digital Scholarship (Routledge 2018; also available online). In addition, Arons has published articles in Theatre Survey, Theatre Topics, The German Quarterly, Communications from the International Brecht Society, 1650-1850, Text and Presentation, Theatre Journal, and Journal of Contemporary Drama in English, as well as chapters in a number of anthologies, including “Brecht and U.S. Actor Training” in Bertolt Brecht in Context (ed. Stephen Brockmann); “Ecodramaturgy in/and Contemporary Women’s Plays” (co-authored with Theresa J. May, and published in Contemporary Women’s Playwriting, ed. Penny Farfan & Leslie Ferris); and “Beyond the Nature/Culture Divide: Challenges from Ecocriticism and Evolutionary Biology for Theatre Historiograpy” in Theatre Historiography: Critical Questions (ed. Henry Bial & Scott Magelssen). She is currently a co-series editor for the forthcoming multi-volume Women’s Innovations in Theatre, Dance, and Performance (Bloomsbury).
    Prof. Arons has worked as a professional dramaturg with a number of leading directors, including Anne Bogart and Robert Falls, and has translated a number of plays from German into English, including The Good Person of Sezuan in collaboration with Tony Kushner. She has served on the Editorial Boards of Theatre Annual and Theatre Topics and on the Advisory Board for the CMU Center for the Arts and Society and for Hiawatha Project. She was curator and artistic director of the “Earth Matters on Stage Festival & Symposium” in Pittsburgh PA in 2012. And in her spare time, she authors a blog on local theatre and culture, “The Pittsburgh Tatler.”
    Wendy Arons joined the faculty of the School of Drama at Carnegie Mellon University in 2007. She teaches courses in dramatic literature and dramaturgy, as well as advising undergraduate dramaturgy students in production work. She currently serves as Option Coordinator for Dramaturgy.

    Her research interests include performance and ecology, 18th- and 19th-century theatre history, feminist theatre, and performance and ethnography. She is author of Performance and Femininity in Eighteenth-Century German Woman's Writing: The Impossible Act (Palgrave Macmillan 2006), and co-editor, with Theresa J. May, of Readings in Performance and Ecology (Palgrave Macmillan 2012). She is also co-translator, with Sara Figal, of a new edition of G. E. Lessing’s Hamburg Dramaturgy, edited by Natalya Baldyga, which received the 2018 ATHE/ASTR Award for Excellence in Digital Scholarship (Routledge 2018; also available online). In addition, Arons has published articles in Theatre Survey, Theatre Topics, The German Quarterly, Communications from the International Brecht Society, 1650-1850, Text and Presentation, Theatre Journal, and Journal of Contemporary Drama in English, as well as chapters in a number of anthologies, including “Brecht and U.S. Actor Training” in Bertolt Brecht in Context (ed. Stephen Brockmann); “Ecodramaturgy in/and Contemporary Women’s Plays” (co-authored with Theresa J. May, and published in Contemporary Women’s Playwriting, ed. Penny Farfan & Leslie Ferris); and “Beyond the Nature/Culture Divide: Challenges from Ecocriticism and Evolutionary Biology for Theatre Historiograpy” in Theatre Historiography: Critical Questions (ed. Henry Bial & Scott Magelssen). She is currently a co-series editor for the forthcoming multi-volume Women’s Innovations in Theatre, Dance, and Performance (Bloomsbury).
    Prof. Arons has worked as a professional dramaturg with a number of leading directors, including Anne Bogart and Robert Falls, and has translated a number of plays from German into English, including The Good Person of Sezuan in collaboration with Tony Kushner. She has served on the Editorial Boards of Theatre Annual and Theatre Topics and on the Advisory Board for the CMU Center for the Arts and Society and for Hiawatha Project. She was curator and artistic director of the “Earth Matters on Stage Festival & Symposium” in Pittsburgh PA in 2012. And in her spare time, she authors a blog on local theatre and culture, “The Pittsburgh Tatler.”
    • Pittsburgh
    • 16 Peace, Justice and Strong Institutions
    • 5 Gender Equality
    • 11 Sustainable Cities and Communities
    • 13 Climate Action
    • 12 Responsible Consumption and Production
    • 10 Reduced Inequalities
    • 8 Decent Work and Economic Growth
    Tags
    • Performing Arts and Creative Writing
    • Associate Professor with Tenure
    • Architecture
    • Associate Professor with TenureArchitecture
    Erica Cochran Hameen, Ph.D., NOMA, Assoc. AIA, LEED AP is an architectural designer and Assistant Professor at the Carnegie Mellon School of Architecture. In 2021, she was named the school’s first Director for Diversity, Equity and Inclusion (DEI). She also serves as the Co-Director of the Center for Building Performance & Diagnostics (CBPD) and as Track Chair of the Doctor of Design (DDes) program.

    Erica serves as an instructor for multiple graduate and undergraduate courses and recently developed a new course focused on energy efficient and healthy retrofits. Formerly, she was Program Director for the UDream program at CMU, which from 2009-2016 worked to increase diversity in the urban design profession nationally, and in the Pittsburgh region specifically, by offering opportunities for permanent employment in Pittsburgh to recent college graduates.

    Erica has served as a studio critic at multiple universities. Her architectural experience includes over 50 educational, media and broadcast, residential, community, and transportation facilities. She is also an active member of several community service and non-profit organizations.

    Erica has received numerous honors for her research and architectural design project participation including awards from the AIA, NY Landmarks Conservancy, Brooklyn Chamber of Commerce, Faculty and Graduate Student Awards, and most recently Best Proposal in a Department of Energy (DOE) Competition presented at the White House Conference Room.

    Erica holds a Bachelor of Architecture from Virginia Tech, and a Master of Science in Sustainable Design and a Ph.D. in Building Performance & Diagnostics from CMU. Erica’s doctoral research investigated the impact of school building and neighborhood physical and environmental characteristics on student and teacher health and performance. She is also a contributing researcher for a Sustainable Engineering textbook and served as one of the Principal Investigators for the Consortium for Building Energy Innovation (CBEI), formally the EEB Hub, established by the DOE as an Energy-Regional Innovation Cluster.
    Erica Cochran Hameen, Ph.D., NOMA, Assoc. AIA, LEED AP is an architectural designer and Assistant Professor at the Carnegie Mellon School of Architecture. In 2021, she was named the school’s first Director for Diversity, Equity and Inclusion (DEI). She also serves as the Co-Director of the Center for Building Performance & Diagnostics (CBPD) and as Track Chair of the Doctor of Design (DDes) program.

    Erica serves as an instructor for multiple graduate and undergraduate courses and recently developed a new course focused on energy efficient and healthy retrofits. Formerly, she was Program Director for the UDream program at CMU, which from 2009-2016 worked to increase diversity in the urban design profession nationally, and in the Pittsburgh region specifically, by offering opportunities for permanent employment in Pittsburgh to recent college graduates.

    Erica has served as a studio critic at multiple universities. Her architectural experience includes over 50 educational, media and broadcast, residential, community, and transportation facilities. She is also an active member of several community service and non-profit organizations.

    Erica has received numerous honors for her research and architectural design project participation including awards from the AIA, NY Landmarks Conservancy, Brooklyn Chamber of Commerce, Faculty and Graduate Student Awards, and most recently Best Proposal in a Department of Energy (DOE) Competition presented at the White House Conference Room.

    Erica holds a Bachelor of Architecture from Virginia Tech, and a Master of Science in Sustainable Design and a Ph.D. in Building Performance & Diagnostics from CMU. Erica’s doctoral research investigated the impact of school building and neighborhood physical and environmental characteristics on student and teacher health and performance. She is also a contributing researcher for a Sustainable Engineering textbook and served as one of the Principal Investigators for the Consortium for Building Energy Innovation (CBEI), formally the EEB Hub, established by the DOE as an Energy-Regional Innovation Cluster.
    • Pittsburgh
    • 13 Climate Action
    • 4 Quality Education
    • 7 Affordable and Clean Energy
    • 3 Good Health and Well Being
    • University Professor
    • Architecture
    • University ProfessorArchitecture
    • Pittsburgh
    • 11 Sustainable Cities and Communities
    • 13 Climate Action
    • 3 Good Health and Well Being
    • 7 Affordable and Clean Energy
    • 10 Reduced Inequalities
    Tags
    • Architecture
    • Building
    • Environmental Science and Management
    • Civil Engineering
    • Electrical and Electronic Engineering
    • Part-time Project Manager
    • College of Fine Arts Affiliated
    • Part-time Project ManagerCollege of Fine Arts Affiliated

    I want an intersection of design, humanities, and theory to generate richer human interactions, with technology and without. I have sought out, studied, and contributed explanatory models of interaction that aid understanding of human-to-human and human-with-machine conversations. These models have proved valuable for teaching design, writing code, evolving organizations, and proposing new methods for the design process itself. Framing situations as systems that are animated by social actors leads unavoidably to ethics. I am committed to defining minimal axioms for design that bound ethical and humane interactions.

    I want an intersection of design, humanities, and theory to generate richer human interactions, with technology and without. I have sought out, studied, and contributed explanatory models of interaction that aid understanding of human-to-human and human-with-machine conversations. These models have proved valuable for teaching design, writing code, evolving organizations, and proposing new methods for the design process itself. Framing situations as systems that are animated by social actors leads unavoidably to ethics. I am committed to defining minimal axioms for design that bound ethical and humane interactions.

    • Pittsburgh
    • 3 Good Health and Well Being
    • Associate Professor
    • Design
    • Associate ProfessorDesign

    Peter Scupelli is an Associate Professor of Design, Chair of the Design Studies track, and Director of the Learning Environments Lab in the School of Design at Carnegie Mellon University. Peter’s current research focus is on learning environments, design futures, and zero-carbon transitions. He teaches both undergraduate and graduate-level courses. Peter’s training and career path link architecture, interaction design, and human-computer interaction research. Peter was the Nierenberg Associate Professor of Design from 2019 to 2022 and Visiting Professor in Design at the Politecnico di Milano (2022-2024). He is co-founder of Global Design Futures Network.

    Peter Scupelli is an Associate Professor of Design, Chair of the Design Studies track, and Director of the Learning Environments Lab in the School of Design at Carnegie Mellon University. Peter’s current research focus is on learning environments, design futures, and zero-carbon transitions. He teaches both undergraduate and graduate-level courses. Peter’s training and career path link architecture, interaction design, and human-computer interaction research. Peter was the Nierenberg Associate Professor of Design from 2019 to 2022 and Visiting Professor in Design at the Politecnico di Milano (2022-2024). He is co-founder of Global Design Futures Network.

    • Pittsburgh
    • 11 Sustainable Cities and Communities
    • 12 Responsible Consumption and Production
    • 13 Climate Action
    • 4 Quality Education
    • 7 Affordable and Clean Energy
    • 9 Industry, Innovation and Infrastructure